The dramatic events around the French king Louis XVI and the French crises in the late 1700's with no will to pay taxes, which led Louis XVI into an impossible situation as a king.

In this dark comedy, the action takes place in a social network moderation centre. We discover an unhealthy work environment filled with people who have become deeply alienated by all the twisted videos they are obliged to analyze and classify all day long.

珍妮是一位作家，已婚，是两个孩子的妈。她的身体和心理正悄悄的发生变化，但身边的人毫不在意，他们把她的反常归因为创作过程中遭遇的瓶颈和压力。但珍妮自己清楚事情并非这么简单，更蹊跷的事还在后头。某次她在母亲的家里看到一个意大利女人的照片，渐渐的，她开始觉得那个女人就是自己。

Railroad ticket controller Sebastien just got his dream promotion and is moving south to sunny Marseilles with Lea, his pregnant fiancée. The house is rented, the move’s in three days, life is perfect. 　　So, when Sebastien must undergo an evaluation on his final day, he figures it’s just a formality. Until he finds out his inspector will be the one that everybody fears, the one who’s insane - “but fair”. 　　Things go south as soon as the first car, where Sebastien is confronted by a pack of troublemakers. But that’s nothing compared to what’s in store for him next, from escaped wildlife to emergency childbirth, every car is more challenging than the last… until he reaches the dreaded family car, where absolutely nothing is under control. 　　But Sebastien’s nightmare is not over, as he realizes that Simon, his colleague who didn’t get the promotion, is also on board and irrationally hell-bent on revenge. 　　To get what he wants, Sebastian will have to survive the most unhinged and hilariously wild ride, his last seven train cars as ticket controller.

Railroad ticket controller Sebastien just got his dream promotion and is moving south to sunny Marseilles with Lea, his pregnant fiancée. The house is rented, the move’s in three days, life is perfect. 　　So, when Sebastien must undergo an evaluation on his final day, he figures it’s just a formality. Until he finds out his inspector will be the one that everybody fears, the one who’s insane - “but fair”. 　　Things go south as soon as the first car, where Sebastien is confronted by a pack of troublemakers. But that’s nothing compared to what’s in store for him next, from escaped wildlife to emergency childbirth, every car is more challenging than the last… until he reaches the dreaded family car, where absolutely nothing is under control. 　　But Sebastien’s nightmare is not over, as he realizes that Simon, his colleague who didn’t get the promotion, is also on board and irrationally hell-bent on revenge. 　　To get what he wants, Sebastian will have to survive the most unhinged and hilariously wild ride, his last seven train cars as ticket controller.

Ralph and Freddy work as janitors at a brokerage firm and become rich by making investments based on insider information they gather from the brokers' garbage.

The daily life of two neighboring families, the Bouley and the Lepic, with literally opposite educational methods. Despite their social and cultural differences, they are friends and do not hesitate to face worries...

This interrogation of famed 19th century French writer, proto feminist George Sand, includes discussion with the new early 1970s feminist movement and a critique of the limitations of her progressivism (she opposed the 1871 Paris Commune).

Inspired by the last essay Charles Darwin wrote on the action of worms, Anna Marziano crafted a film where the cultural and political action is placed in continuity with the work of earthworms, digesting and feeding the soil microscopically day after day. The film intertwines direct observation, video projections and the decay of some film negatives buried in the ground in the attempt to keep visual traces of the life of micro-organisms.

Inspired by the last essay Charles Darwin wrote on the action of worms, Anna Marziano crafted a film where the cultural and political action is placed in continuity with the work of earthworms, digesting and feeding the soil microscopically day after day. The film intertwines direct observation, video projections and the decay of some film negatives buried in the ground in the attempt to keep visual traces of the life of micro-organisms.